![]() ![]() How about EQ? Boost the bass before compression for a rhythmic pumping effect that can sound great for kick-driven music such as house or techno, or after for 'clean' bass boost without affecting the compressor's action. For example, reverb placed before compression can give a source sound that 'compressed room mics' sound, whereas placing the reverb after the compression will give a less 'reactive', studio-style sound, since the reverb itself won't be compressed. The order in which other effects are placed can also make a huge difference to the results. This can be very useful in a mastering or precision mixing scenario, where you need something to sound like it hasn't been processed at all! For instance, instead of one compressor performing 4dB of gain reduction, you might use two compressors giving 2dB each. ![]() Using compressors in series also allows you to spread the workload. ![]() By using two complementary units together like this, it's possible to harness the general levelling behaviour and vibe of the first alongside the clinical peak control and clean sound of the second - great for recreating the feel of outboard gear 'in the box' while retaining the precision that modern processors are known for. Modeled on the sound of boutique high-end studio gear, this first-ever software emulation adds high-pass sidechaining and parallel compression all while running as a. A practical example would be using a slow acting compressor such as Native Instruments' Vari Comp, which is modelled on a classic valve design, followed by a more modern compressor like an SSL clone or digital compressor with lookahead. Native Instruments Vari Comp v1.1.0 UPDATE R2R 90.65 MB VARI COMP is an all-purpose, easy-to-use, two-channel compressor with breathtakingly transparent sound. ![]()
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